Archive | TV RSS feed for this section

The Fruits of Labor – Paulie and the Blueberry Letter Part 1

10 Dec

Paulie Arcevita is a nineteen year-old out of Brooklyn, a rogue and a ruffian, he got chops from the “school of hard knocks.”  Cut fresh and edgy, with an attitude as sharp as a butcher’s knife, he’s still got a heart of gold under that metallic hard surface. Everything Paulie does he does the hard way.

***

Every time I walk somewhere I look at the ground, but there is no money on the ground. I know for a fact people lose money, but I walk everywhere and I never see any lost money – and forget about a wallet. Man, how I’d love to see a wallet with some money. Or a bag with some money. I’d be crazy with excitement if I ever found a bag of money.

I’m walking like I do on some avenue that’s kind of dirty with houses that don’t turn on their lights at night and during the day their blinds are shut. They gotta’ keep it out, you know. I know behind those blinds is some kind of dysfunctional shit going on. People who leave the door open, lights on, they seem more normal.

Several months, you know, after this, like what I’m telling you, I’m walking – again – and one day, I’m walking, right, and I pass near a forgotten lot and these bushes are enormous like no one, and I mean no one –  has ever trimmed them or taken care of them in any way, right. So in the bushes is a bag. The bag is small and it’s ripped just a little so I pick it up. The rip in the bag reveals a little piece of paper with a paisley design and, at its end, where the white creamy border is, is curled just a little so you know it’s packed tightly. I’m thinking, Oh, Jesus, it’s money, Oh, Jesus, it’s money!  My balls are itching with excitement. I ignore the marsh-like mud that creamed one of my boots, and I grab the bag. I’m excited and I wipe the mud off my boot on the back of my other leg and get my jean leg dirty, but I don’t care. So I’m holding this bag and then all of a sudden I feel angst! Now I feel kind of criminal and figure it’s normal and I begin to walk with the bag detouring my original destination. I go behind the bakery and sit way back behind the garbage and I open the bag. Sure enough, there’s a roll of twenty dollar bills wrapped in a rubber band and a deposit slip for $2500.00. The address on the deposit slip reads “Van Vranken Avenue Garage.”

I keep the money in the bag and take out two twenties. I go into the local DVD store – one still left that hasn’t been hit by Netflix and Blockbuster. Don’t ask me how this guy is still making it.  Anyway, I’m taking my time, spinning through the store, and I feel like the clerk is rushing me.  He knows me as a customer who usually goes to the back room where all the porn is and where the kids aren’t aloud in.  Today he’s surprised when I pull out cash and pay for two movies instead of renting them.

At the counter he says to me, “Popcorn?” like he knows I always take the popcorn, and I could see he’s wondering how come I didn’t get no popcorn for free.

“Because, man,” I wanted to say, “I don’t eat your lousy heat lamp popcorn no more. Only when I got these shit-ass movies for rent did I want your heat-lamp popcorn because I felt like that was part of the deal. But now, now, I’ve got no deals to make with anybody because I’ve got money on me!” But I don’t say anything, no. I just tell him, “No, thanks.”

Then I pass George the mechanic. He hasn’t seen me in a while. I never pass that way, that street, whatever way you want to say it. And I like George and all, and him and I get along good and he’s a good mechanic. He’s surprised to see me and we shake hands.

“Man,” he says after I hand him the money I owed him from, God knows how long ago. “What? Did you hit the lotto, Paul?” he tells me.

George got a greasy face and greasy hands and grease under his fingernails.  I like George, but George knows a lot of people, and he’ll stand around in his shop for hours talking about people and I’ll probably be one of them. I don’t need that.  George fixed my car almost a year ago right before I got hit with a DUI and lost my license. Then I had to park my car and that’s when I owed George money.  “No, George. I’m working now, and I’m doing good. I didn’t hit no Lotto.”  That’s what I told him.

It was good to pay off George.  It was an old debt – $150.00 bucks.  Now I can walk on this street again.  When I said goodbye to George he was standing under the shop’s sign: Van Vranken Avenue Garage.

This one guy I know parked his Miata in a garage and somebody broke into the garage and stole his freakin’ hard top. That’s lousy. So even though my car’s in a garage and I can’t drive it for another three months –  and it kills me, because it’s gonna’ be summer soon and I won’t get to the beach, and I won’t get to show up for softball practice because the park is way out of the way, and I’m gonna’ have to hoof it everywhere, even with this freakin’ money – and me, like a jerk, gives it to the video guy, and then back to George.  Shit man, what am I gonna’ do? What if George catches on? Holy shit. I’m gonna’ be in so much freakin’ trouble it’s not funny.

So I keep walking and I know I got to be home. I got to feel safe. I feel uptight. I want to watch the movies. The bus is coming, that’s good. I get on the bus, and I could tell it’s a new driver but I can’t tell if this driver is a man or a woman. The black girls are sitting way in the back. The same girls – I’ve seen them before; they go up to the community college and take the bus pretty regularly. The three of them, here they go, whenever they see, they start singing.

© Terry Rachel, 2011

Barbara Walters Interviews Author Terry Rachel

30 Oct

We sat down with Terry Rachel, author of A Hardscrabble Daughter at her Connecticut home.  She welcomed my team and I into her sprawling ranch home overlooking the Long Island Sound. Here’s what she had to say about her life, her new book, and why she considers herself hardscrabble.

Barbara Walters: Terry, it’s so good to see you.

Terry Rachel: Thank you. It’s nice to see you, Barbara.

Barbara Walters: You were quite heavy last year. Have you lost weight?

(Terry laughs aloud and crosses her legs, she’s wearing a red cashmere sweater and corduroy slacks. She summons her assistant who brings us freshly ground coffee and scones. It’s a cool October morning.)

Terry Rachel: Yes, it was time.

Barbara Walters: Do you feel free? Free of that baggage?

Terry Rachel: It was baggage. I lost 40 pounds.

Barbara Walters: The last time I saw you was at a Beat Writers reading.

Terry Rachel: Yes, yes, in the Village.

Barbara Walters: You’ve come a long way. This home is quite large. And you have how many dogs?

Terry Rachel: I’m breeding Border Collies. Here I have the Grand Dame, Jewel, and her litter – Ring, Shake, Speare, Robin and Hood. So 6 all together.

Barbara Walters:  Interesting names.

(Terry laughs)

Terry Rachel: Yes, well, I have to detach from them soon. So the names will probably change with their new owners.

Barbara Walters: What was the price tag on the home?

Terry Rachel: Five and a half – well, almost six. It came in around $5.9 million.

Barbara Walters: Let’s talk about your writing. How did you go from blogging on WordPress, to complaining on Facebook, to reading your stories  in coffee houses, to a New York Times Bestseller? You’re doing book tours – there is some talk that Showtime wants to turn some of your stories into short films – is this true?

Terry Rachel: Yes, they’ve been in touch with me.

Barbara Walters: Barbara Lowenstein?

Terry Rachel: Yes, she’s the agent that got the ball rolling.

Barbara Walters: How did you get the attention of the Lowenstein Agency?

Terry Rachel: I kept writing. I entered some contests and won one, then another and another. And I would post these wins through Twitter, Facebook. I had a following through email and before I knew it, all this.

Barbara Walters:  And all this success………. but there is no one to celebrate with – no one living, to share in your success. You mention that your family is all gone, you are estranged from your nieces and nephews, even cousins.

Terry Rachel: My stories have death as a continual theme. It’s through these stories that I release my frustration.

Barbara Walters: Your sadness. Your lesbianism.

Terry Rachel: Yes, that too.

Barbara Walters: Are you really ‘hardscrabble’ as you say?

Terry Rachel: I can be. My life was very hard. I lived for a long time as a minimalist. I saw how people viewed me. But honestly, I was unburdened from material things.

Barbara Walters: Do you think your lesbianism added to being “hardscrabble”?

(Terry laughs at the question)

Terry Rachel:  Let’s put it this way: I was duped many times.

Barbara Walters:  And now that you’re fifty-eight your whole life has changed. You have a home overlooking the water, you’re a successful dog breeder, a full-time author. You live very well now.

Terry Rachel: Yes.  I thank God for my reversal of fortune. It’s nice to be comfortable for a change.

(The phone rings, Terry excuses herself to take it by walking to a quieter space in the living room. The turn of events would cut short our interview.)

Barbara Walters: I have one last question: if you were a tree, what kind of tree would you be?

(Terry laughs at the question)

Terry Rachel: Didn’t you ask Katherine Hepburn this?

Barbara Walters: Yes and I took heat for it by the way. But I think it’s a fitting question for you.

Terry Rachel: Hmmn. What kind of a tree… a fiery maple. Yes, a fiery maple. That would fit me perfectly.

 

***

Copyright, 2011 Terry Rachel

“Sunday CHI” Episode 1

8 Oct

“Sunday CHI” Episode 1

FADE IN: 

INT.  THE OAKLEY KITCHEN – EARLY MORNING

It is SUNDAY MORNING. We SEE YVETTE BOULANGER-OAKLEY sitting at a very large, rectangular, oak kitchen table, she is studying a crossword puzzle, her iPad is opened and a variety of newspapers are strewn across the table, alongside her is a kitchen stool holding several hardcover books. She is very busy. She is doing a number of things while writing her daily column for Newsday.  We SEE the family Golden Retriever and a tabby cat.  There is classical music playing from an iPod cradled in a sound machine.

We HEAR FOOTSTEPS coming from the staircase that borders the hallway entrance.

YVETTE

(Happily)

Good Morning, sweetheart!

Did you sleep well?

LISA

(Sleepily, in pajamas)

Mommy, I did not sleep good.

YVETTE hugs LISA, tickles her playfully to stop her pouting.

YVETTE

You silly! If you didn’t stay up

so late watching TV on Saturdays

you would be able to face this beautiful day!

LISA

(Shrugging)

Oh, mom.

You look at everything so happy.

YVETTE

Not everything, my little one.

But when it comes to you,

 

(Yvette begins to sing)

You are my sunshine, my

Only sunshine,

You make me happy

When skies are gray…

LISA

(laughing)

Mommy, you are so weird…

WE HEAR laughter and running footsteps from the hallway stairs.

LISA

See now you woke them up.

The OAKLEY SISTERS are all in the kitchen now. WE SEE OLIVA OAKLEY kissing her mother “good morning” and pirouetting across the kitchen in ballerina-style fashion. She opens the refrigerator door. CLAUDIA OAKLEY examines the papers on the table. LISA OAKLEY is under the kitchen table, playing with the cat. The Golden Retriever, MOLLY, starts barking at the sight of LISA playing with the cat, GRANDPA. Suddenly the kitchen comes alive with lively banter and laughter.

CLAUDIA

(breezily, without care)

Hey, mom, you may want to clear

the table, uh, some of us

may want to use it.

OLIVIA

(cheeky, saucy, to her sister)

Darling, eat on top of the

paper, who cares.

Look at it like a canvas –

Mommy’s creation.

If you move the papers

as mommy writes –

who knows what could happen!

You could move her Chi and

we don’t what that.

Right, mommy?

(she kisses her mother again)

LISA

What’s “Chi?”

CLAUDIA

(not angry, matter-of-fact)

Yeah, well, what about my “Chi?”

My Chi tells me that

If I eat on top

of smelly old newspapers

I’ll get a sinus infection.

 

WE SEE YVETTE at the kitchen sink, she begins preparing Sunday breakfast.

LISA

(Now standing, facing Claudia)

What is a “Chi?”

 

OLIVIA

It’s a Chia Pet.

You know the commercials?

CLAUDIA

(quickly)

It is not.

Lisa, she’s teasing you.

LISA

(rolls with joke)

Well, what is it?

 

WE SEE OLIVIA leaving the conversation. She joins her mother in preparing breakfast.

CLAUDIA

How do I explain. All right.

You know how Grandpa the cat

gets when you rub him in

one spot too long-

LISA

He freaks out!

CLAUDIA

Right. He’s starts hissing, growling.

He doesn’t like it. He’s very touchy.

That’s Grandpa’s Chi. A little

spirit inside of him tells

him when it’s good to be

rubbed and when it’s not.

OLIVIA

(calling)

That’s why his name

 is “Grandpa” he’s  a

Grump!

WE HEAR a voice coming from the garage:

RICHARD

Who you calling a Grump?

Standing in the kitchen with rolled pants and wet socks is RICHARD OAKLEY. He is returning from an early morning fishing trip. He pulls a wide-mouth bass from a cooler; the fish is still hooked, clearly dead and very large.

YVETTE

(not turning)

Is that my dashing husband?

What adventure, pray-tell,

Have you been on?

LISA

(somewhat shocked, can’t help

but notice the dead fish)

Dad! You killed his CHI!

RICHARD

(in a gallant voice, to his wife)

Yes, yes, it’s really me!

And I’m not alone!

(and then to Lisa, sweetly)

What are you talking about?

YVETTE

(to Olivia)

See what you started?

OLIVIA

(laughing slightly)

Mom’s it’s not a big deal.

Look at it this way:

she learned a

new word.

RICHARD

Tonight’s dinner!

Fresh fish.

YVETTE

(kisses her husband “hello”)

That is a beauty, Richard.

How long did it take

to get that one?

LISA

That’s dinner? Ewweeh.

RICHARD

(jovial, he pulls the fish

Out again and rushes

It to Lisa’s face)

I’m coming to eat you!

CLAUDIA

Now THAT’S what I call

Bad Karma, dad.

LISA screams and runs in circles around the kitchen table. RICHARD continues running after her with the dead fish.

OLVIA

(to everyone)

Let’s face it:

we were adopted

by two crazy,

eccentric parents.

FADE OUT.

MUSIC BEGINS and CREDITS ROLL.

Season 1 – The Introduction

1 Oct

 

Good Morning, Dear Readers,

 

With this writing I begin with a series about three young girls –  Lisa, Claudia and Olivia – orphaned at an early age in Quebec, Canada,  they are chestnut-haired, hazel-eyed, French-Canadians, and all very pretty –  they would be soon adopted after the accident that killed their parents by a young couple who were barren, Yvette, and Richard Oakley, each established writers, living in an affluent suburb of Long Island, they would move the sisters to their home in Garden City where they would grow and play and live their lives as any normal pre-teen girl, but when each girl’s sexuality peaks, together they  question the path to take as they come to the crossroad of their lives.

 

I hope you will enjoy their journey.

 

My best,

Terry Rachel

 

 

 

 

The Oakley Girls of Garden City

 

 

The Introduction

 

Lisa is the youngest of the sisters, at age 10, she plays with boys, preferring their company over girls. She is smart in school but takes advantage of not doing homework, a little bit of a know-it-all, she’s keenly aware how pretty she is.  Today, Saturday, she’s hogging the bathroom more than usual, not having to be rushed out by her sisters, she stares long in the mirror, examining her face. She pretends to put on mascara, as her mouth gently drops open, she purses her lips to throw a kiss, and thinks that her lips are too big. Taking out her barrette she shakes her head to loosen her hair, flipping the ends, she bends her head to her knees, sweeping her hair in a downward direction, she snaps up straight and shakes again her magnificence she is most proud of. She can do styles now. Her older sister, Olivia,  taught her how to use a curling iron – but she doesn’t always get to use it, because Olivia and Claudia use it the most, and she feels like she gets what’s left over. She knows she has to be very sweet with her sisters.

 

Claudia is the middle child, at twelve, she has green-hazel eyes, and sunburned features, freckles across her nose and some to her cheeks, she has long, thick lashes the color of caramel, her hair is naturally two-tones of chestnut and dark blonde. On the swim team from 6th through 9th grades, Claudia is slender and elegant, some would say she is the most beautiful of the Oakley sisters – but as the good Lord gives the human mind or, at least those willing to accept it, the gift of modesty, Claudia prefers to concentrate on doing good for others, volunteering takes up most of her time when she is not with her swim team.

 

In her marmalade-colored room, one sunny window shines its morning light, as Olivia sits writing an e-mail to a school chum she met in her sophomore year. School begins next week, right after Labor Day, and Olivia, thirteen, has been thinking about her girlfriend for weeks. Ever since Cathy left for a family vacation to spend the summer in Michigan, Olivia has texted her nearly every day. The light pours onto her flawless olive skin, her dark eyes read again what she is about to send to her friend. Her hair is never in her face, unusually confident for her age, her  ballet instructor expressed to Mrs. Oakley that Olivia has the potential to go far as a dancer.

 

Yvette Boulanger-Oakley was raised on Long Island, but spent summer vacations with her parents’ family in Quebec City, Canada, where she held a soft spot for her faraway cousins she rarely got to see. With her love of travel and her natural affinity for uncovering a secret, Yvette went onto Syracuse University – a difficult school to gain entry to for its quality journalism studies, and after graduating interned for Newsday where she would eventually write a daily column, taking over for Erma Bombeck, her editor saw how good she was at telling a story in less than 1000 words that pulled on the heartstring of her readers. Yvette has auburn hair, her glasses sit on the bridge of her nose, or on top of her head, she wears turtlenecks tucked inside a belted skirt, knowing not too many women can pull it off; she dresses always to show off her flat stomach.

 

When she was thirty-two and married to Richard six years, herself having been to several fertility clinic trails, and Richard, having gone through countless sperm tests, both of them unable to have children of their own – rather than getting completely down over it, and being the type of woman to see her way through any obstacle, she was an optimist at best, and so she and Richard considered the next best thing would be to adopt.  On an early morning on December 24th, at her office, Yvette was the first to pick up the AP wire that a family in Canada endured a terrible accident, where the driver of the car was killed along with his wife, but that the children, three young girls, were alive, having survived being hit by a semi-trailer while on their way to a Christmas event reported by the mother’s side of the family.

 

Richard Oakley is meeting today with his editor at Random House, he is on his third book for them and the advance of $10 million that he received took him well into his fourth year to complete the novel. It should be a good one; he thinks it’s got a market. The novel is based on a family of prosperous dairy farmers who lived in Hungary during World War II but were forced to leave from the Nazi advance, buying their way to America being guests of a family living in Minnesota.  In the cab ride from Grand Central up Park Avenue, he is dressed in a pair of linen slacks and denim shirt, his blonde hair sweeps down, in Robert Redford fashion, just above his blue eyes; he adjusts his sunglasses to take in the other yellow cabs lining the busy street. The manuscript sits on his lap as it is boxed; his editor prefers to read on paper. Richard didn’t mind printing it out, even though printing out over 150,000 words took a lot of paper, he poured his heart into this effort, not counting the rewrites, he hopes to receive the remaining $12 million by the time it goes to print. Under his breath, come the words, “Right in the bank for my girls,” and then to the driver, “This will be fine here, thanks!”

 

End Part 1

 

© Terry Rachel, 2011